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As recorded by Nehru, the Afghan rulers and their minions merged well with India.
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His son, Feroze Shah Tughlaq, one of the well-known Sultans of Delhi, had a Hindu mother and so did Ghyas-ud-Din Tughlaq. He ruled in the early 14th century and had along reign of 47 years. Nehru moves on to Mohammad Bin Tughlaq who, too, had spread his empire far and wide like Alauddin’s.
#Bharat ek khoj alauddin khilji free
Gora and Badal, two faithful followers of Padmavati, save her from falling into the Sultan’s trap, reach Delhi, daringly free the Rana from bondage and gallop away on a waiting horse. Temptation of high reward brings the dancer incognito to Chittor, to coax the desperate queen to come to Delhi as a Yogin to rescue Ratansen. The entertainment in Alauddin’s court is on with a Kathak danseuse performing Padhant.
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After the proverbial Rajput hospitality is availed of and the queen is appropriately viewed, the unsuspecting Rana is ensnared into Afghan captivity and brought to Delhi as prisoner. In order to save the army’s further shrinkage, Ratansen agrees to a compromise formula to meet the Sultan and allow him to see the queen from a distance to satisfy his curiosity. When the Rana’s army gets depleted, the Rajasthani folkdance ‘Ghumar’ is arranged as a morale-booster. Ratan Sigh rebuffs the usual messenger from the Sultan, demanding these assets, and the Chittor fort is laid siege upon by the mighty Afghan forces. Dying for revenge, he appears in Alauddin’s court and instigates him with tales of Padamvati’s beauty- no less than a heavenly fairy’s, apart from the five other ‘jewels’ of Chittor like the hunter-tiger and preying bird. The dramatic saga starts with the particular misbehaviour of Tantrik Raghav Chetan who was expelled by Rana Ratansen of Chittor. The legend of the Afghan Sultan’s lust for the charming queen Padmavati of Chittor was a typical instance of morbid feudalism in operation, as recorded in Malik Mohammedjayasi‘s ‘Padmavat’. Nehru notes that the Rajput forces of Chittor became weakened in the early 14th century as a result of Afghan plundering and dominance. Playback by Ila Arun, Manak Mandali, Shamsuddin, Chander Gandharva, and Ishwar Datt Mathur. Zaheer as Qazi, Rakesh Shrivastava as Raghav Chetan, Navtej Hundal as Sarja, Ragesh Asthana Gora, and Ajay Monga as Badal. With Om Puri as Alauddin Khilji Rajendra Gupta as Ratansen, Seema Kelkar as Padmavati, Vaishali Dandekar as Jogan S. A Production of Doordarshan, the Government of India’s Public Service BroadcasterĮpisode 26: Delhi Sultanate, Part III, Padmavat & The Tughlak Dynasty